"Ceci n'est pas un tube de peinture" - Work In Progress

Ceci n'est pas un tube de peinture

South East Open Studios have asked members to interpret the 'paint tube' logo in their particular artform. The opportunity is to translate the familiar ident of the long standing arts organisation across the south east into a more inclusive image. A glass tube, welded metal carved stone, rag rugs, felt cushions, engraving or enameled silver, to name a few. Membership has gone above 300 for a second year running and it encompasses over 40 disciplines within the fine art and craft/making traditions. We are more than painters.

I am playing with casting tubes of paint and re-modeling with these contradictory mediums carved onto the label in text.

Entries will be used on the front cover of our guide and throughout the website and during the event.

Dates of which are 3rd -21st June 2011

Check out the website for individual opening times, artists trails and searching for a gift or start or add to your collection.

I Did It!

The Kaizen approach works. This Sunday saw me complete my first 10km run. The Ashford & District Road Running Club event. Training was made easier by the fabulous Lisa at RIE Ashford with weekly club runs and encouragement to improve, consolidate and stretch. Thanks also to my club chums.

My time was 1 hour and 6 minutes a Personal Best and one to beat at the next event.

Now to the studio and apply kaizen to the work.

Ditch The Resolution Habit

I, perhaps like many, started the year with a list of New Years Resolutions. Some were extensions of things I had started in 2010 and others developments of good ideas towards committing to a real action plan to achieve them over the coming months; a mix of the personal, professional, creative and social.

• Maintain running with the Run in England club on Saturdays
• Eat less and better; when sat at the desk able to graze the fridge, note to self to buy less rubbish and grow even more veggies in the garden
• Maintain and reward the working relationships from last year
• Nurture new professional relationships within the sector and amongst local and regional artists
• Keep work patterns to Tuesday-Thursday and to this end leave studio time for Monday/Friday and weekend bursts
• Make new work within the colour-chemistry research I have started and my ideas towards the archaeology of marks

Mindful of the pace of transition, I planned for small step changes and the need to rehearse and repeat a new thought or behaviour several times before it feels comfortable or the synaptic bypasses are created in the brain to reroute past an old habit. I wrote them down, turned them into a positive action and gave a sense of commencing and completion with an idea of what success looks like so as to measure progress and achievement.

However, I was physically reminded this week from a knee aggravation from wearing a swanky new pair of trainers for running, of the challenge of changing old habits be they physical or psychological. The correction of my slight pronation was causing a new set of muscles, the correct set of muscles and tendons to be turned on and work, when they had not been used to exercise. I was literally running at a new way of moving too quickly; suffering a physical stress and feeling less than successful and put off from returning and maintaining this new discipline.

Moving from a comfort zone of; “always doing what you have always done, to get what you have always got” to a stretch (of innovation or transformation) it is clear to find the correct amount of stretch and not overreach to a point of stress that it is so far out of the current experience it can be overwhelming or damaging.

Given some physiotherapy, exercises to practice and to support the re-training of a new physical habit, I was reassured to reflect on the progress made with my other new ways of seeing, thinking and doing. To readjust their scope with this new compassion for previously failing at changes and ‘grand new’ schemes and modify an annual approach to a continuous appraisal.

I am reminded of a Japanese technique called kaizen, which calls for continuous improvements.

Another Smiling Happy Customer

A new home for a piece of my work. This one is in stylish Chiswick and accompanies two smaller 10x10 cm pieces that were collected at earlier Art Fairs in 2010. I am very appreciative of my 'foot soldiers', who through word of mouth and viral marketing are growing interest in my work through their sense of pleasure and enjoyment of the work hanging on the wall.

Another Happy Punter

Continuing the theme of seeing the happy re-homing of artworks. Here you can see Architect Steve Machin with his piece he bought at the "@home" Show in December.

Gone to Good Homes

Started the New Year with a couple of pictures sent to me from lovely people who purchased work this year. I trust you will keep on enjoying the work. I wish you and everyone who bought a piece of my journey in 2010 a creative and joyful New Year.

(Top: New Zealand. Bottom: Stephen's dining room in Wandsworth, South London)