
Taking a break from the surrounds and smell of the studio, I pour myself a glass of wine and sketch out to reasonable scale my thoughts towards the layout of Stand 2 at
Brighton Art Fair next Thursday. Taking a mix of my new large work and familiar small delights, that are my studio obsessional pieces, it is reassuring that keeping a uniformity of size enables the shifting of a variety of squares around fixed walls easier than irregularity.
A partial premature delight in curation comes when the pinning and moving and re-pinning of thumbnail computer prints upon and around a cardboard model starts to bring a cohesion and dialogue to this year's work (not showing you an image of that, you will have to come to the Corn Exchange over the weekend to see).
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